Edward Byrne

Wednesday, December 30, 2009

Rosanna Warren on Characteristics of Pastoral Poetry

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“In the first place, pastoral archetypally situates itself in an idealized and artificial landscape. Whether in the Greek Arcady often invok...
1 comment:
Tuesday, December 22, 2009

Valparaiso University Press Release for SEEDED LIGHT

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I am pleased to note the following press release distributed today by Valparaiso University’s office of public relations: Professor’s poetry...
Thursday, December 10, 2009

John Ashbery, Frank O'Hara, and the Avant-Garde 50 Years Ago

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“I remember that in the spring of 1949 there was a symposium on the arts at Harvard during which a number of new works were performed includ...
Monday, December 7, 2009

Louise Glück on Ambition and Power of the Implied in Art or Poetry

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“What I share with my friends is ambition; what I dispute is its definition. I do not think that more information always makes a richer poem...
3 comments:
Monday, November 30, 2009

Stanley Kunitz on the Poet's Relationship to the Poem

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“After a certain period, the poem seems to have no maker at all. Poems gather their own momentum and you feel they’re moving on their own. Y...
Sunday, November 22, 2009

Gregory Orr On Romanticism and Personal Lyric Poetry

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“Inspired by Rousseau, the Romantics took lyric back from the Overculture. Returning it to its ancient and honorable identity as personal ly...
Wednesday, November 18, 2009

Walt Whitman: Multiplicity of Speech in American Language and Literature

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“Language, Whitman argued, must express the multiplicity of habits, heritages, and races that make up the American nationality: ‘The immense...
Thursday, November 12, 2009

Art's Inadequacy in the Face of Horror: Natasha Sajé

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“September 11 provides ample opportunity for poets to diminish their ethical standing by generalizing. Again, like the experience of being i...
Saturday, November 7, 2009

David Kirby on the Wealth of Poetry

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“Look, a poem either sends you a bill or writes you a check. You can use up too much of your intellectual and emotional capital, not to ment...
Friday, November 6, 2009

Robert Pinsky on the Influence of Creative Writing Programs

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“Creative writing programs have made American poetry more regionally and socially diverse: once, most American poets came from a few east co...
Wednesday, November 4, 2009

Mark Strand on Measured Verse and Free Verse as Poetic Forms

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“I believe that all poetry is formal in that it exists within limits, limits that are either inherited by tradition or limits that language ...
Friday, October 30, 2009

Donald Hall on Ezra Pound's Literary Taste and Magnanimity

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“Pound was a catalyst to other poets. His presence made poets out of people who might otherwise never have survived into poetry. Greatly as ...
Wednesday, October 28, 2009

Nicholson Baker's Anthologist on Writing Poetry

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“The master class I gave had a rocky moment. I told them to copy poems out, and to start by saying what they actually wanted to say, and to ...
1 comment:
Sunday, October 25, 2009

Laurence Lieberman on John Berryman: "Our Shrewdest Clown"

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“The daring imagination of John Berryman in Dream Songs , and to a lesser degree in the Sonnets , is constantly en route between the bizarre...
Saturday, October 24, 2009

Robert Lowell on Cooked Poetry and Raw Poetry

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“Our modern American poetry has a snarl on its hands. Something earth-shaking was started about fifty years ago by the generation of Eliot, ...
Wednesday, October 21, 2009

Randall Jarrell on Qualities of a Critic

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“Everybody understands that poems and stories are written by memory and desire, love and hatred, daydreams and nightmares—by a being, not a ...
Sunday, October 18, 2009

Dean Young on Intention in Writing Poetry

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“To approach the practice of poetry as an acquiring of skills sets may provide the stability of a curriculum, but the source of inspirati...
1 comment:
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Edward Byrne
Edward Byrne is the author of eight collections of poetry, most recently a trilogy of volumes: TIDAL AIR (Pecan Grove Press, 2002), SEEDED LIGHT (Turning Point Books, 2010), and TINTED DISTANCES (Turning Point Books,2011). DARK REFUGE (2011), an audio chapbook offering a sequence of poems from AUTISM: A POEM, is available from Whale Sound. He has also edited two anthologies of poetry, including POETRY FROM PARADISE VALLEY (Pecan Grove Press, 2010). In addition, his essays of literary criticism have been published in various journals and book collections, including MARK STRAND (Chelsea House Publishers), edited by Harold Bloom; A CONDITION OF THE SPIRIT: THE LIFE AND WORK OF LARRY LEVIS (Eastern Washington University Press), edited by Christopher Buckley and Alexander Long; “Claudia Emerson: Literary Criticism” in POETRY FOR STUDENTS (Thomson Gale Publishing), edited by Ira Mark Milne; and DAVID BOTTOMS: CRITICAL ESSAYS AND INTERVIEWS (McFarland & Co.), edited by William Walsh. He is a professor in the English Department at Valparaiso University, where he serves as editor of VALPARAISO POETRY REVIEW and co-editor of VALPARAISO FICTION REVIEW. Contact: Edward.Byrne@Valpo.Edu
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