“Although it must be living itself that leads anyone to conditions of grief, it may be a poet’s obsession with the Image that leads to grieving. But how so? Why? If an image is, as Pound said, ‘an intellectual and emotional complex in an instant of time,’ it is exactly that ‘instant of time’ which passes; even though an image may reify itself many times in a reader’s experience, it will pass again as well. The image draws on, comes out of, the ‘world of the senses’ and, therefore, originates in a world that passes, that is passing, every moment. Could it be, then, that every image, as image, has this quality of poignancy and vulnerability since it occurs, and occurs so wholeheartedly, in time?” —From “Some Notes on Grief and the Image,” a chapter in Larry Levis’s The Gazer Within (University of Michigan Press, 2001)
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