An Author's Assemblage: Brief Notes and Notices

The accumulation of posts to this web page serves merely as an author’s assemblage of brief notes and notices: the collection of informal bits of information, quotations, and observations gathered as one way to display a personal reflection of perceptions on poetry, publication, and related selections of material drawn from my perspectives as a poet or professor of literature and creative writing.

Friday, October 30, 2009

Donald Hall on Ezra Pound's Literary Taste and Magnanimity

“Pound was a catalyst to other poets. His presence made poets out of people who might otherwise never have survived into poetry. Greatly as I admire the poetry of William Carlos Williams, I am not sure he would have been a poet without Ezra Pound. Pound’s energy and conviction, at any rate, pulled H.D. and William Carlos Williams further into poetic commitment, when the three students knew each other at the University of Pennsylvania. Later, when Pound met older writers already committed to the art, he bullied editors into publishing them, he reviewed them, he invented public relations devices like ‘Imagism’ in order to attract attention to them, he raised money for them, and got them out of jail—and on one occasion sent one of them a pair of old brown shoes.

“Pound discovered Eliot, through the agency of Conrad Aiken, when Eliot had written ‘Prufrock’ but little else, and seemed destined to become an American professor of philosophy. He argued Harriet Monroe into publishing ‘Prufrock’ in Poetry; he encouraged and cajoled Eliot into further poems; when Eliot’s work at the bank seemed to burden him, he set out to support Eliot by subscription (which embarrassed Eliot, who put a stop to it); when Eliot fumbled toward ‘The Waste Land,’ Pound’s solid and magnanimous critical intelligence cut that poem into shape.

“I could tell story after story illustrating the accuracy of Pound’s taste, and the generous energy with which he promoted the writers he admired. Nor was his taste limited, when it included D.H. Lawrence and James Joyce, as well as Eliot and the Imagists; Ford Maddox Ford and Yeats among the elders; Ernest Hemingway, Louis Zukofsky, Basil Bunting among the youngers; most astonishing of all, it included Robert Frost, whose literary predilections might have made him The Enemy. (If Pound’s first task, as he says in a Canto, was to ‘break the pentameter,’ Frost wasn’t helping.) But Pound knew quality even when it turned up in a sonnet, and he leapt to promote Robert Frost—who disliked him and avoided him—without worrying about the politics of literary styles.

“In the history of literature, no writer equals Pound in accuracy of taste, or in energetic magnanimity.” —From Donald Hall’s Remembering Poets: Reminiscences and Opinions (Harper & Row, 1978)

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