Nat Hentoff describes the importance of rhythm and phrasing for lyricism: “Billie Holiday, toward the end of her life, tired, playing a gig where the money was bad, the audience uncertain. Her voice hoarse and cracked, she starts to speak more than sing the verse to a song. But her beat is so pulsatingly supple, her phrasing so evocatively hornlike, that her speech is music, and the audience is caught in her time.”—From Jazz Is (Limelight Editions, 1976)An Author's Assemblage: Brief Notes and Notices
The accumulation of posts to this web page serves merely as an author’s assemblage of brief notes and notices: the collection of informal bits of information, quotations, and observations gathered as one way to display a personal reflection of perceptions on poetry, publication, and related selections of material drawn from my perspectives as a poet or professor of literature and creative writing.
Tuesday, August 18, 2009
Nat Hentoff: Billie Holiday's Lyricism
Nat Hentoff describes the importance of rhythm and phrasing for lyricism: “Billie Holiday, toward the end of her life, tired, playing a gig where the money was bad, the audience uncertain. Her voice hoarse and cracked, she starts to speak more than sing the verse to a song. But her beat is so pulsatingly supple, her phrasing so evocatively hornlike, that her speech is music, and the audience is caught in her time.”—From Jazz Is (Limelight Editions, 1976)
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