“Very interesting language, a great emphasis on connotation, ‘texture’: extreme intensity, forced emotion—violence; a good deal of obscurity; emphasis on sensation, perceptual nuances; emphasis on details, on the part rather than the whole; experimental or novel qualities of some sort; a tendency toward external formlessness . . . : an extremely personal style—refine your singularities; lack of restraint—all tendencies are forced to their limits; there is a good deal of emphasis on the unconscious, dream structure, the thoroughly subjective; the poet’s attitudes are usually anti-scientific, anti-common-sense, anti-public—he is, essentially, removed; poetry is primarily lyric, intensive—the few long poems are aggregations of lyric details; poems usually have, not a logical, but the more or less associational structure of dramatic monologue.” —From “A Note on Poetry” (1946) by Randall Jarrell
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